Featured THE NAKED I: SELF-DEFINED Artist: Logan Gilbert-Guy

Lucy Gilbert-GuyIn what ways are you involved with THE NAKED I: SELF-DEFINED?

I am performing “What Is Owed” by Nikolas Martell.

Why is it important to tell the stories in THE NAKED I?

I believe it is important because no one has the same story or experiences – in the queer or trans community, or any community – but everyone deserves to be recognized.

Talk about your background as an artist. What sort of artistic experience are you bringing to this production? 

I’ve been doing shows for as long as I can remember; I’ve always been the “theatre kid”, and while I love doing tech, I tend to act.

What other artists or shows have inspired you?

It may sound cheesy but last year I went to see The Naked I: Insides Out on tour up in Duluth, and that show inspired me to be who I am and show it more.

When not involved in this production, how do you spend your time? What are some of your hobbies? 

I draw a bunch when I’m in shows or not, and if I’m free enough I like doing circus.

What other projects are you working on or hope to work on? 

I just finished up Kiss of Death through my school for J-term, and I hope to wiggle my way into a few more shows after this.

Advertisements

Featured THE NAKED I: SELF-DEFINED Artist: Esmé Rodríguez

In what way/s are you involved with THE NAKED I: SELF-DEFINED? 

I am a contributing author to THE NAKED I: Self-Defined; I wrote “Places!”. I will also be assisting the director of my piece and the actor with some makeup and costume tips, as well as providing a little background about drag performance.

Why is it important to tell the stories in THE NAKED I?  

It is vital to tell these stories because so many people’s experiences go unarchived, ignored, or dismissed. Sharing our stories is an empowering achievement and many times, cathartic. By telling these stories, all who are involved in THE NAKED I create opportunities for outreach, connection, and safer space for those who may be experiencing some of the same or similar emotions. Telling these stories may save someone’s life. These stories also provide educational and emotional growth opportunities for those outside of our communities who desire to be more understanding and knowledgeable allies/actionaries for transgender and gender diverse people.

What aspects of your identity do you hope to express through your involvement with THE NAKED I?

I aim to express/expel some of the pain that I went through by not being accepted in my own community when I originally came out as trans/non-binary. Communities need to be held accountable for the cultural wounds that they inflict—even if the damage happened in an unintentional/misunderstood manner. By vocalizing my story, I let go of some of the negative residuals of the pain and I am able to move forward in new ways. I am also expressing the pride that I have taken in my integrity and self determination to be the most authentic ME that I can be—regardless of the approval of others.

 

What social issues are important to you and how do they inform your work?

Intersectional justice lies at the core of everything that is important to me as an artist and as a person.  Every person should be respected, supported, and offered equitable opportunities to succeed in life.  In order to realize this goal, we must work endlessly to break down barriers and oppressions that are upheld by white supremacy, patriarchy, colonization, and corrupt economic systems. Ideas and feelings about being a trans/non-binary person show up in all of the art that I create, from my drag performance, to costume design, to my visual art/painting.

What other artists or shows have inspired you?

Other artists who inspire me are Freddie Mercury, Eartha Kitt, Kate Bornstein, Andrea Jenkins, and all of the actors who I have had the privilege of meeting or seeing in conjunction with THE NAKED I.

What is your favorite hangout spot and why?

My favorite hangout spot is a ski hill/mountain.  I feel free when I am skiing and generally am able to share the experience with people who are important to me.  As I grow older, I tend to spend less time in the bars and clubs, unless I am performing in a show.

When not involved in this production, how do you spend your time? What are some of your hobbies? 

Besides skiing, I enjoy watching NFL games, painting, and directing/producing multi-dimensional drag/gender performance shows.  I am the director/producer of Esmé’s Traveling Gender Show & Tell and am invited to take the program to a variety of local and national colleges and universities.  One can find out more about this program here.

Tell us about your pets, real or imaginary.

I have a lot of stuffed animals—and I believe that they have souls.

Talk about your background as an artist. What sort of artistic experience do you have/are you bringing to this production? 

Here is my artist bio:

Esmé Rodríguez, MA, PhD (ABD) is an east coast, via Portland, transplant back to Minneapolis, MN.  They are a Trans-masculine, queer-identified, Latino artist, educator, and activist. Esmé has a Master’s Degree from Boston College and they studied their PhD (ABD) at the University of Minnesota. They are also a self-taught seamstress and designer. Much of Esmé’s professional and creative work exhibits themes of transgender and gender diverse identities, the deconstructions of femininities and masculinities, and the creation of possibility spaces through engaging with work, which promotes intersectional justice. Their personal and professional goals are to form coalitions which aid in the breakdown of patriarchy, white supremacy, and colonization; meta-systems which maintain and control oppression, violence, and inequality. Esmé is currently the Social Justice & Training Specialist under the Day One Program at Cornerstone Advocacy Services.  They are also a Development and Diversity Consultant for Mental Health Connect and they were formerly the Development Manager at TransActive Gender Center in Portland, OR.

Esmé has taught Gender Studies and Latin American Literature at the university level for 12 years and is currently touring national colleges with their “Gender Show and Tell Program,” which engages in intersectional discussions surrounding the performance of diverse gender identities, and gender expressions from non-binary cultural perspectives.

Esmé is the director and producer of a variety of drag cabaret shows.  They have been chosen to perform at the 2016 International Drag Festival in Austin, TX. They also perform in a variety of state wide and national venues. Highlights of their 16 year drag and design career include regular performances in Minneapolis, San Francisco, and Amsterdam, working with Peaches Christ for the Minneapolis Premiere of “All About Evil” in 2010, as well as being chosen to work as an invited artist at The Walker Art Center in 2008 in conjunction with the international FRIDA Kahlo exhibit.

 

Featured THE NAKED I: SELF-DEFINED Artist: Jesse Pollock-Foote

In what way/s are you involved with THE NAKED I: SELF-DEFINED?

I am performing a piece written by someone and directed by another. (Specifically, Pretty Little Princex by Nico Swenson.)

Why is it important to tell the stories in THE NAKED I?

This is a strong reason why it’s important to tell these stories, and why I wanted to be a part of this. Not all creators feel comfortable performing the pieces they create. I want to participate because we all have valuable stories to tell. Stories are how we learn and grow as individuals and as a collective community and society. Having heard these pieces, I feel blessed to be a part of this story telling. All are beautiful, unique, raw, and will open the eyes of many.

Featured THE NAKED I: SELF-DEFINED Artist: Renee Roe

In what way/s are you involved with THE NAKED I: SELF DEFINED?  

I am performing in “My Dearest Selene” and “If It Might Be, It Must Be.”

Why is it important to tell the stories in THE NAKED I? 

The stories in The Naked I are powerful expressions of truth. In sharing these truths we can advance broader understanding of bodily autonomy, human connectedness, and personal power. So many are willing to share in our laughter but not our tears. These stories provide a necessary space for those who are willing to do both.

What social issues are important to you and how do they inform your work?

My heart centers around issues that require systems change. Historically marginalized people are often destroyed slowly by the socio-political and economic realities of the systems we as a society attempt to maintain. While not necessarily reflective of my entire interests or areas of expertise, I find myself typically drawn to matters of bodily autonomy (specifically gender, sexuality, and disability).

Understanding and partaking in community conversations surrounding these issues has given me a breadth of experience upon which to draw on in my work. Being able to have an impact on the hearts and minds of others is why I do what I do.
 
Tell us about your pets, real or imaginary.

Many years ago my heart belonged to my beloved pet Rocky. We would go for long bike rides and lounge about my childhood garden. One day we thought it would be fun if we went swimming at a local lake as she had never been there. Being an easily distracted child, I allowed Rocky to swim freely for a short while as I contemplated whether a cloud passing over looked more like a dinosaur or a cherry tree.

Tragically, I lost Rocky that day. She sank to the bottom, like a stone.

I have a kitten now. He likes to sit on people’s shoulders.

Featured THE NAKED I: SELF-DEFINED Artist: Atlese Robinson

In what way/s are you involved with THE NAKED I: SELF-DEFINED? 

I am directing Black Hole Queers by Jayce Koester.

Why is it important to tell the stories in THE NAKED I?

Visibility, community engagement, and healing. The vast array of individuals that make up the Queer/Trans and Queer/Trans POC community possess a plethora of experiences, stories, and identities that should be celebrated openly, validated, and given a home. Naked I is an opportunity to shape that home in a world where we find a lot of stigma and marginalization.

What aspects of your identity do you hope to express through your involvement with THE NAKED I?

My blackness, my fluidity, my femme-ness, and my creativity.

Talk about your background as an artist. What sort of artistic experience are you bringing to this production? 

My performance background is primarily in ensemble acting and spoken word. But as a student at Augsburg College I studied playwriting and a bit of technical theatre. I’m bringing to this production a variety of tools and experience that I hope shines through in this awesome show.

What social issues are important to you and how do they inform your work?

Homelessness and education. Many Trans/Queer folks need accessible safe housing and educational institutions that support us instead of leave us behind. Ultimately, it all boils down to safety and I think Black Hole Queers is a piece that gives power to Trans/Queer folks to embrace themselves and simultaneously let it be known that we will not be discarded or disrespected.

What other artists or shows have inspired you?

Sha Cage. She’s been doing amazing work for years and I value and adore her tenacity as an artist and educator.

What is your favorite hangout spot and why?

I don’t really have one. I just prefer to be with/around the people I love.

When not involved in this production, how do you spend your time? What are some of your hobbies? 

Writing, drawing, playing video games, reading, cooking, and spending time with people dear to me.

Tell us about your pets, real or imaginary.

I had two parakeets when I was kid that my parent got rid of because I was not responsible. I let them out of their cage to fly around the house around Christmas and they ended up resting in our Christmas tree after exploring, but they were really cute.

What other projects are you working on or hope to work on? 

Hopefully just performing more and completing a chapbook, maybe even being selected for the Catalyst Series at Intermedia Arts. Those are my main artistic goals for the year.

TICKETS ARE SELLING FAST FOR THE NAKED I: SELF-DEFINED! 
CLICK HERE TO GET YOURS NOW!

Featured THE NAKED I: SELF-DEFINED Artist: Eddy Samara

In what way/s are you involved with THE NAKED I: SELF-DEFINED?

I’m delighted to be a writer and a performer this year.

Why is it important to tell the stories in THE NAKED I?

Queer and trans stories are often left out entirely or pathologized. It’s so empowering to participate in a project that centers art by and for our community. It’s important for us to tell our stories—and to hear our varied voices—because our experiences are more than simple stereotypes, side notes, and statistics. Claiming our own experiences and offering them as art within our community makes more room for all of us to self-define.

What aspects of your identity do you hope to express through your involvement with THE NAKED I?

I am an older, disabled, trans guy, so I wrote from that perspective. I hope my piece highlights the need for competent, compassionate trans healthcare that goes beyond hormone scripts. Trans folks are complex individuals with a range of medical needs and too often our health is jeopardized by ignorance, insensitivity or outright transphobia.

What social issues are important to you and how do they inform your work?

I’m passionate about culture-change and social justice. I continue to try to use my artistic expression to create connections—to humanize my experiences and create cracks in the oppressive systems of white supremacy, misogyny, and ableism. I look for HOPE—hearing other people’s experiences—in the poetry of everyday struggles for a more just and livable world.

What other artists or shows have inspired you?


I’ve been inspired by so many creative people, but my poem Do No Harm for THE NAKED I was directly inspired by the work of two artists and friends: Elaine Magree and Dazie Gregor. I saw both of them perform at The Marsh in San Francisco and was absolutely blown away at their creative questioning of identity and expression. Dazie’s show “I am a Man” was the catalyst to poetically explore my recent trans-masculine medical fiasco.

Featured THE NAKED I: SELF-DEFINED Artist: Devin Taylor

In what way/s are you involved with THE NAKED I: SELF DEFINED

I am a contributing writer and Assistant Stage Manager.

Why is it important to tell the stories in THE NAKED I?

I think it’s the way these stories are told through the Naked I series that is important. One thing common to all marginalized groups is the expectation that any individual can and should speak on behalf of their entire community. This restrictive way of “listening” is a passive form of oppression. It creates tension among individuals and an impulse to override the speech of others within our shared community out of fear of being misrepresented to the mainstream. The blended voices of THE NAKED I are united in message, while maintaining individuality of voice. The message of the overall production remains dialectical and constructive, while giving voice to the subjective, the personal, and the radical.

The power of performance is everything when you are trying to make people think. Not everyone integrates new information in the same way or at the same level, and people vary in their ability to adjust their way of thinking and their capacity to accept change. The multitude of stimuli afforded through the art of theatre creates a powerful means of penetrating the consciousness of all types of minds and personalities from a broad range of backgrounds and experiences.

I don’t think the significance of THE NAKED I is entirely didactic, though. From what I’ve observed in my work on the production, it has a powerful ability to create community for those looking for community. Sometimes, that is the best thing art can give.

Talk about your background as an artist. What sort of artistic experience are you bringing to this production? 

For as long as I can remember, I’ve had an intense fear of making noise. Even as an adult, I often have trouble communicating because I panic at the sound of my own voice. I learned to write at an early age and that became a safe way for me to privately express feelings and ideas, and to record the events and details of imaginary worlds and characters that filled my daydreams. I never thought of it as anything I would share, until much later.

Growing up, I tried my hand at most areas of the arts (music, movement, visual arts), and I developed an appreciation for theatre because it combined them all. I came to realize that it allowed writers to demonstrate their craft in a visible and audible way, like other artists—one that doesn’t just depend on the interpreter’s willingness to read and interpret text. When I went off to college and began studying writing, a beloved professor turned me on to the genre of creative nonfiction and I began to understand the power of shared personal experience.

I’m still reluctant to share deeply personal writing outside trusted writing groups—but I remember the relief and gratitude I’ve often felt upon reading or hearing that perfect piece of writing at the perfect time—the sense of connection and the vulnerability entrusted to me, the reader/listener. I also remember those moments when someone else’s perspective, born of experience vastly different from mine, made it impossible for me to go on thinking about something the way I always had. It’s my hope that I, in harmony with the astonishing work of the other NAKED I artists, might challenge, inspire, comfort, and connect people in a similar way.

What social issues are important to you and how do they inform your work?

I consider myself an advocate of neurodiversity, and while I have seen this concept increasingly tacked on to discussions of intersectionality, I think we have a long way to go toward realizing it in practice. It is a frontier that people are still largely afraid to approach due to lack of personal understanding and deeply embedded social and cultural stigma. In a similar vein, equal opportunity in education has also become a major passion of mine. It’s a big part of what keeps pulling me back into special education. I think every student deserves to go as far as they can, without being held back by the effects of poverty, language barriers, learning differences, or the fear of violence or ostracism based on some aspect of their identity.

Working toward a more inclusive feminist movement is also important to me. Acknowledging the intersections of race, class, sexuality, and gender identity is an important step, and one that projects like THE NAKED I strive to achieve.

What other artists or shows have inspired you?

There are really too many to name, and it would invariably send me off on a tangent not related to my involvement with THE NAKED I!

Thinking about collaborative productions, which encompass multiple genres, voices, and identities, Eve Ensler comes to mind. As an undergraduate, I performed in a campus production of The Vagina Monologues. It was the first time I had encountered work that
empowered and prioritized the types of voices and experiences represented in the
collection. It was the first time I’d seen them be anything but mocked or censored. You don’t easily forget the first time you don’t feel quite so ashamed and afraid to be you. You never forget the first time you feel powerful for it.

In general, I am inspired by people who create art against the odds or in reaction to personal adversity. I’m inspired by those who spend their creative and intellectual efforts in the humble act of teaching, molding, and nurturing others.

What’s your favorite hangout spot and why?

Book stores, libraries, anywhere quiet. Honestly, I love being home by myself. I love and appreciate the people in my life, but when I don’t get time with myself, I really, really miss me.

When not involved in this production, how do you spend your time? What are some of your hobbies? 

By day, I’m a teaching assistant in special education. By night, I’m a personal care assistant to a young woman with autism. I fit in theatre work whenever I can. I spend a good amount of time editing academic writing for friends and colleagues, and my goal is to spend more time completing my own writing projects. I devote my spare time to staying fit, volunteering, and supporting the local performing arts.

What other projects are you working on or hope to work on? 

I hope to be involved in 20% Theatre’s 2016 production of Q-STAGE in May.