Featured Q-STAGE Artist: Hector Chavarria

hector
Who are you and what is your show called?

I’m Hector Chavarria and my Q-STAGE show is called The Big Gay Mexican Show. It will be presented during the first weekend of Q-STAGE May 13-15, 2016.

As one of our 2016 Q-STAGE Artists, can you tell us about where the idea(s) for your show came from?

Well, I have been working on Big Gay Mexican for almost two years. The reason I created this persona was because I realized that someone like me wasn’t being represented positively in the media. I decided it was about time that a bigger build, Mexican American man, who happens to be homosexual, be shown as a proud individual to be himself.

Have you been collaborating with any other artists to create this show? Who are they are how are they contributing?

This process was crazy. So, I started working with Stacy Schultz, my director/roommate, as soon as I found out I was chosen for Q-STAGE. We both decided that this should not be a one-person show and that we should have at least two actors be part of the show. I asked Jen Buckhout and Donn Saylor to be in my show giving them very little information about their characters and I’m so fortunate they still said, yes! Once I knew who was involved the story came alive in my head. I started to create characters and storylines and the final product turned out better than I expected. With my art, people around me inspire me and I’m so happy to be surrounded by so many awesome spirits. I think the BGM crew contributed more to this project than they know.

Why do you feel it is important to share this story/the story(ies) of your performance with the community?

Being a bigger person in the gay community can be difficult. Many gay men, not all, like to fat-shame. Being Chicano in Minnesota is also challenging. I’m a minority here, whereas in El Paso, TX, I was not. The Big Gay Mexican Show, in a way, is fighting against stereotypes. I want to spread the message that being different is a good thing. Being different is beautiful.

What aspects of your queer identity do you hope to express through your Q-STAGE piece?

Although BGM deals a lot with identity, I want to bring out more the struggle I have with relationships with other gay men versus the struggle I have with myself as a gay man.

Talk about your background as an artist. What sort of artistic experience are you bringing to this production? Have you been involved with 20% Theatre in the past and, if so, in what ways?

I consider myself a performance artist. I have written and performed art pieces in various cabarets throughout Minneapolis. In my pieces I always include dance and song because I always wanted to do musical theater. When I first moved to Minneapolis and started auditioning, I began to realize that I was going to have a hard time being cast because of who I was: a big, gay Mexican. So eventually I started writing my own work because if they weren’t going to let me sing and dance then I was going to have to make my own opportunities myself! I have not been involved with 20%Theatre before but I am so grateful to be involved now. The work 20% Theatre does to celebrate queer artists is incredible. I’m so happy they exist because the artist they promote, such as myself, need to be heard!

What social issues are important to you and how do they inform the art you create?

Equality is important to me. I want everyone to be treated the same, to have the same rights. With my work, I tend to focus on body image and positive self-esteem, and the fact that these issues also effect men. Living in a society that focuses a lot on physical beauty is hard when you yourself do not fit in with what is considered the norm.

What other artists or performances have inspired you over the years?

Recently, Taylor Mac, who had a one-person show at Guthrie in April, inspired me. Taylor Mac also wrote the play Hir that was produced at Mixed Blood Theatre. Taylor has a very clever way of bringing out serious issues but adding a twist of comedy and fun to them. I think that is genius. It’s a way to inform the audience but also allowing them to enjoy themselves.

Are you working on any other projects or are there others you hope to work on?

I am in the works of starting a YouTube Channel. At first it was going to be The Big Gay Mexican Show on video but then I decided to expand myself and create another character. My new character is a cow named Vaco La Vaca. Vaco is a genderqueer cow. It’s in the early stages of production but so far Vaco is a lot of fun!

What is your favorite hangout spot and why?

I love the 19 Bar. I love the atmosphere and the people. In my opinion it’s the one gay bar in Minneapolis where I don’t feel left out.

When you’re not deep in Q-STAGE rehearsal and development, how do you spend your time? What are some of your hobbies?

When I’m not working on art I like to go on long walks. Its one of my favorite things to do.  I also go to a lot of theater shows; I like to be surrounded by theater so I go to as much of it as possible. But mostly I like to stay home and just relax; life can get so busy that sometimes being at home can feel like paradise.

Click here for more information about The Big Gay Mexican Show and other performances in our 2016 Q-STAGE: New Works Series!

Featured Q-STAGE Artist: JamieAnn Meyers

JamieAnn Brick wall copy (1).jpg
Who are you and what is the title of your show? When will it be running during Q-STAGE?

My name is JamieAnn Meyers and my show is titled First Person: A Life in Transition. It will be presented during the first weekend of Q-STAGE May 13-15, 2016.

As one of our 2016 Q-STAGE Artists, can you tell us about where the idea(s) for your show came from?

I’m primarily a storyteller, and have been using this medium for many years in facilitating workshops, panels and discussions around social justice issues, especially those involving the LGBTQ+ community. The next step for me was to use some of these autobiographical stories to build a show that could eventually be “taken on the road” for education and entertainment through the medium of theater. The script just blossomed from there.

Have you been collaborating with any other artists to create this show? Who are they are how are they contributing?

After the original version of the script was written, I began collaborating with my director, Shalee Coleman. Shalee is especially creative when it comes to the use of body movement to tell stories. In my Q-STAGE proposal I originally intended to do a one-person show, but Shalee eventually convinced me to make use of a Greek Chorus to make my work come more fully alive. We wanted to involve other trans and gender non-conforming artists to form this chorus and to participate in dialogue. My friends Erica Fields, Zealot Hamm, Suzi Love, Beckett Love and Pearl Noonan, all of whom have experience in the Twin Cities Theater scene, agreed to share the stage with me to bring this play to life.

Why do you feel it is important to share this story/the story(ies) of your performance with the community?

We need a great variety of stories from the trans and gender non-conforming community to help break down stereotypical barriers that prevent people from knowing us as an incredibly beautiful and varied spectrum of individuals. Each of us has a different story, and First Person is my unvarnished truth. It’s the story of my life-long transition, a life that’s being lived “halfway up, halfway down,” in-between, and my claiming CHANGE as my identity. I want the audience to leave the show with an understanding of the complexity, struggles and joys of a trans person’s life. I want the audience to get inside my head and understand that each of us is different, that each of us struggles with many conflicting emotions. I want the story of my lifelong transition and the complexity of living “in-between” to emerge.

What aspects of your queer identity do you hope to express through your Q-STAGE piece?

The primary aspect of my queer identity that I want to emerge is that it has evolved over the entirety of my lifetime and this evolution is ongoing.  I’m what many would call a “trans elder.”  I came out in my late 50’s and am now 70 years old.  People often ask me “when did you transition?”  My answer is “from when I was a fetus, until long after my death.”  (Peoples’ memories of my life will evolve after my death as their own personal and societal contexts evolve.)  It’s been a lifetime of discovery, of peeling back the many layers of my identity and expression, and discovering the seeds that have grown into who I am today.  When I first uncovered my childhood feelings of gender difference in middle age, I realized that I was part of the transfeminine spectrum; I later identified myself in therapy as bi-gender.  When I began my social transition, I identified in the binary as female.  My recent gender confirmation surgery has finally liberated me and enabled me to come out as fluid.  I’ve also been enabled to claim my orientation as bisexual.  And the journey continues.  What identity will I claim in another five years?  I don’t know.

Talk about your background as an artist. What sort of artistic experience are you bringing to this production? Have you been involved with 20% Theatre in the past and, if so, in what ways?

My first theater experience was on stage as an actor in 20% Theatre’s production of The Naked I: Wide Open back in 2012. I performed Congruity, written by Erica Fields, a story not too unlike my own, except that back then I had begun to think that gender confirmation surgery was beyond my reach. I was greatly moved by this experience, which in effect saved my life and enabled me to open more doors and move forward in my gender journey. I realized that a more effective way for me to do advocacy work around gender identity and expression was through theater than by simply giving talks, facilitating workshops and participating in panels.  Since then I wrote and performed the piece Upside Down, Inside Out for 20%’s  The Naked I: Insides Out in 2014, and performed a variety of storytelling pieces in 20%’s “Open Stage” series and in the cabaret evening during MORPHOLOGIES: Queer Performance Festival put on by 20% Theatre, Pangea World Theatre, and RARE Productions. I also performed the trans-related monologue They Beat the Girl out of My Boy in Winona State University’s 2013 edition of the The Vagina Monologues. In that same show I wrote and performed the original version of Upside Down, Inside Out, which dealt with genitalia and the intersection of transmasculine and transfeminine identities.

What other artists or performances have inspired you over the years?

20% Theatres’ production of The Naked I: Monologues from Beyond the Binary back in 2009 (“the first Naked I” as it is often called) touched me deeply and inspired me to approach Claire Avitabile, 20%’s Executive Director, about opportunities to pursue advocacy through theater. My work in faith-based queer advocacy brought me into contact with Peterson Toscano, a playwright and gay activist whose one-person play Transfigurations—Transgressing Gender in the Bible informed my work in First Person: A Life in Transition.

Are you working on any other projects or are there others you hope to work on?

I hope to use my experience in working on First Person to write more short plays dealing with gender identity and expression. A book is also in the back of my mind and I think that this Q-STAGE experience will kick-start that project.

When you’re not deep in Q-STAGE rehearsal and development, how do you spend your time? What are some of your hobbies?

My wife Peggy and I live in Winona and enjoy the atmosphere of a small city where three institutions of higher education influence the social fabric of the community. We are both retired and have fun playing golf and taking long walks together. Every Wednesday night is “date night,” which includes a meal at a local deli and a movie at our local theater.  Travel is a big part of our lives and we are often on the road with one another. Our two adult children and three grandchildren live in the Twin Cities, and “Old Blue” (our car) knows the U.S. 61 river route by heart. Queer advocacy work in secular and faith communities also occupies a chunk of my time.

Click here for more information about First Person: A Life In Transition and other performances in our 2016 Q-STAGE: New Works Series!

 

The Naked I: Insides Out – Get to Know Shanny Mac

This winter, 20% Theatre Company is thrilled to present the world premiere of The Naked I: Insides Out – the 3rd in a series of Naked I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems. The show was created over the past year by selecting 25 of 119 stories submitted by community members. This newest installment of The Naked I will involve over 75 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians and supporting staff.

You can see The Naked I: Insides Out February 13-23, 2014 at Intermedia Arts in Minneapolis. Purchase tickets now!

Over the next several weeks, we will be featuring interviews from a variety of The Naked I: Insides Out artists.  We recently asked Shanny Mac what they had to say about The Naked I: Insides Out.

Shanny Mac

What is your role in The Naked I: Insides Out? What pieces will you be directing?

I have several roles in this production: Instagram photographer, karaoke event planner, and general promoter of tom foolery. In my official capacity, I am directing Fuck Stereotypes by Love, Femme and True Things I Don’t Say by Galen D. Smith.


What attracted you to The Naked I directing opportunity?

So much that I’ll just give you the highlights: theater, 20% Theatre, gender, queerness, community, Claire Avitabile, directing, Andrea Jenkins, identity, artsy folks, performers, Intermedia Arts, collaboration, Blythe Davis, storytelling.


Briefly, what is your directing background? Education? Experience?


I studied theater with a minor in being a ‘mo at Perpich Center for Arts Education, followed by an interdisciplinary arts degree from Antioch College. I also went through the filmmaking program at Minneapolis College. I’ve directed a number of plays and films over the years, most recently Mammal Stories and Paris in March.


Had you ever seen any version of The Naked I before?


I saw the second production, The Naked I: Wide Open. As soon as the Q&A started after the show my hand shot up to ask, “So, when is the next round happening?!”


What about this production and opportunity excites you most?

This changes daily, but right now I’m just really enjoying being part of this process and meeting and working with all these great artists.


What do you hope to contribute to the show?


Busby Berkeley style musical numbers.


What do you foresee as your biggest challenges in directing for this show or with these specific pieces?

You always want to be true to the work and use an authentic voice when staging personal narratives, but there is a little added pressure when the writer is in the audience. Like, right there. In the front row.


More about Shanny Mac, the person…


What is your pronoun preference?


Whatever’s clever.


If your gender identity was a food, what would it be?

Definitely sweet and salty. Like a peanut butter stuffed pretzel covered in chocolate. Ok, I just described a Take 5 candy bar, so I guess that’s what I meant.


What do you do in the world, outside of working on this production? (job/hobbies, etc.)  


I work at a nonprofit for my day job, but by night I frequent the stages of cabarets around the Twin Cities as the bon vivant with savoir-faire, the pièce de résistance with je ne sais quoi, Randy Dandy.


Shanny Mac, you feel the most naked when…


See: Tobias Funke.


What is your first memory of gender?

Asking my family to call me by a different name when I was maybe 4 or 6. No one ever called me it, but that might partly be because it wasn’t an actual name. It’s too embarrassing to say what I wanted to be called on the internets, but if you ask me in person I just might tell you.

What is your most favorite accessory or article of clothing?

Fancy hats, like a trilby or flat cap. But nothing too flashy, like a derby or a stove pipe, and never a magician’s hat.


Name one of your favorite songs right now.


Nothing that will make me sound even remotely cool or interesting. Next question…